Hercules and Lychas by Antonio Canova - Galleria nazionale d'arte moderna - Rome, Italy

Hercules and Lychas, Antonio Canova

 

A ROBIN ON JUICE

Mr Watson's Sidewalk Diaries N°6 - Rome Is for Scarlet Cassocks

Boundless, autocratic imperialism—Mr Watson’s sidewalks. He’s taken over the neighborhood, block by block. Intruders—from Chihuahuas to Ridgebacks—are stared down, then sniffed at every orifice, especially the secreting ones. A formal canine handshake. Females are welcome. Neutered males too. For everyone else, malicious obedience—dispensed by a diminutive creature with an oversized ego—awaits. Dog rules are simple. I watch and learn. So does he. —H

H is going potty, I tell you. With some luck he’ll hold out a couple more years, until I catch up. Then we can get lost together within two blocks of home, arguing about which lamppost we’ve already peed against.

People on the terraces will watch with the kind of compassion that used to be envy. They knew us when we had a spark in our eyes. Meat on our bones.

And shipshape cortices.

 
 
 
 

Arriving in Rome at dusk after a long drive.

 

H loves animals. Everything with four legs and a tail. Still trying to get him to reconsider cats. Cows I can live with. Some even look like super-sized me—just without the brains, plus a big, unsightly sack of milk dangling between their hind legs. I can feel the trots just thinking about it. I’ve always wondered what the four handles are for. Humans only have two hands. Bulls have none.

Now he’s taken a fancy to birds. Ever since a robin—a misshapen creature with a brake light down its front—started harvesting god-knows-what from his broom while H scrubbed the deck. The next day the bloody bird was sitting on the butcher’s block in the kitchen. As if it owned the place. Migrating from Sweden to Brussels. Probably flew business class on SAS to get here. They still serve liquor on the morning flight. A robin on juice.

It’s taken up residence, picking at whatever’s left of the sweet T-bone on my block.

 
 
 
 

Basilica di Santa Sabina all'Aventino

H named it Olav.

Then he went to the supermarket: packets of peanuts and fat balls stuffed into half a coconut. So now I share my garden with Olav, a family of pied wagtails respectfully waiting their turn for the peanuts, the odd jay, and a pigeon so old I don’t even bother to bark at it.

He looks more like Saint Francis by the day. Birds swarming around his head. Me at his feet, doing the groundwork.

I should have known. Rome was the rehearsal. He had already started cooing over the seagull chicks on the roof opposite the flat we rented a few years ago. He even wrote about it in the book he co-authored with R, weirdly meandering between screeches and aperitivi.

Know what? The aperitivi are far more interesting.

 
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Terracotta palazzo façade with balustraded balcony and half-open shutters, flanked by pilasters. CHEZ DEDE window with large gold “D” and lattice reflection. Narrow cobbled lane in hard sun/shade, cream façades with shutters and dark doors.

Chez Dede: traditional Roman elegance and class revisited.

 
 
 
Collage of photos of artworks and spaces in the National Gallery of Modern and Contemporary Art in Rome

Artworks in the National Gallery of Modern and Contemporary Art

 
 

Back in Rome, on our way south, I feel like Olav migrating. The cobblestones are still there. So are the tourists, trundling their wheelie bags so loudly I clamp my tail between my legs, nuts mashed against my thighs. Ouch. Glad I’m not a cow. There'd be milk all over Via Giulia.

 
Interior images of the Hotel Palazzo Shedir in Rome with opulent stucco and gold decorations.
Interior images of hotel Palazzo Shedir in Rome, including vintage design sofas and interior pool
 
 
Images of the interior of the hotel Palazzo Shedir with details of antique wallpaper and artworks

Hotel Palazzo Shedir in Rome combines contemporary design with classic chique.

 
 

But it's the churches I like most. They're cool and silent. And forbidden. R smuggles me in from time to time, tucked under her arm. Says I'm one of God's creatures, so I have every right to be there. I try to make her use the word "unique" in front of creatures, but she's already looking through the lens of her Leica, squeezing me so hard that I nearly wet myself within sight of the rows of marble pillars waiting to be baptized.

I keep the faith: sit, stay, don't pee.

Or does religion affect the expulsion of bodily fluids?

 
 
Interior of Ristorante Nino in Rome, authentic Roman food since 1934

Ristorante Nino, authentic Roman food since 1934

Rome is always a feast

 
 
 

You never feel alone at Caffé Perù

 
 

For a moment I thought Saint Peter's Square would be the place I'd drown. An old man had died the week before we arrived. And suddenly there were all these people dressed in robes like him—his was fancy, but theirs were drab frocks in brown, black, or white—suffering from a collective infection of the lacrimal glands. Except the man in the blood-red cassock and zucchetto, who seemed to have taken the same drops that H used on my eyes when they watered.

I yanked the leash to get nearer. My survival depended on the clarity of his vision.

I guess the church's too: procreate to survive.

Where do I sign up?

 
 
 
 

Bulgari Hotel — coordinated luxury that reflects the brand codes.

 

A lot of men already have. I see them walking the streets of Rome behind futuristic four-wheeled contraptions that require an MSc to set up and a PhD to strap their baby in. Modern men. The ones dispatched by their partners to parade the offspring. I'd resist. I restrict my contribution to the survival of the canine species to insemination. That's hard enough for a sire. I'm sure you've heard the stories of getting brutally separated, buckets of cold water, and the like. Rather sobering and soaking wet.

And now you realize where post coitum animal triste comes from.

But not these millennial males in their thirties. They promenade in brand-new Veja trainers alongside their stroller like true elites, left arm stretched sideways, a single hand on the handlebar. An iPhone in the other. In case they get lost. H walks me like that when he's scooped up one of my smellier poops in a green plastic bag, keeping it at arm's length and as far from my nose as possible until we reach the first garbage bin.

 
 

Babies smell of digested mothers' milk. What's wrong with that?

Perambulate, pontificate, and procreate. I could get used to Rome.

Olav wouldn't stand a chance: a flapping seagull snack. Forget the peanuts and greasy coconuts.

And me, a migrating Jack Russell: pomp and circumstance in a scarlet cassock.

For vision and survival. What else?

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Hans Pauwels & Images By Reinhilde Gielen

Reinhilde Gielen and Hans Pauwels explore the world in search of fascinating narratives behind concealed beauty. They create true stories about real people, real places, and real companies. Not just stories that stick, but stories that people lose themselves in because they convey timeless values.

As Aesthetic Nomads, Reinhilde and Hans work together as a creative duo for content and design. They collaborate closely with companies, organizations, and regions to create dynamic identities through voice, imagery, and storytelling. The brands they value and assist invariably endorse authenticity, tradition, and elegance.

Reinhilde is a fashion designer with lifelong experience as creative director for luxury fashion, food, beauty, and lifestyle brands. She is also an accomplished photographer, known for her captivating portrayals of everyday beauty. Reinhilde spends several months each year immersed in different cultures, soaking up their influences and capturing intriguing images of subdued richness and sophistication.

As a founder and CEO of multiple innovative companies in the food and technology sectors, Hans has traveled the world for business throughout his career. His newfound freedom allows him to join Reinhilde on her travels and pick up creative writing from where he left it at university. Along with well-versed business strategy papers, he writes vivid and anecdotal stories that blend travel, reflection, and exploration, always infused with humor and a dash of the absurd.

In their book, Aesthetic Nomads—A Chronicle of Beauty Unveiled, Reinhilde and Hans portray—in photographs and text—how unexpected interactions and contrasts reveal hidden beauty around the world.

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Croix, 2025