I Love Nature. Then Came Joshua Tree

 
 
Railroad crossing near Palm Springs

JOSHUA TREE, 2026

Mr Watson’s Sidewalk Diaries N°10 — Desert heat, Pioneertown movie dreams, and the food chain

My office is tiny. There's my desk, two chairs, two sideboards. A 19th-century painting of a bull that belonged to my father. It stares, mildly bewildered, at an old ether inhaler that a young artist fitted with rose thorns and called "Sleeping Beauty."

And a worn-out leather loveseat that once must have looked modern in the fumoir of a stately apartment. Scattered around it are some fifteen pairs of shoes. Most of them have shoe trees. They are polished to perfection. R keeps telling me to clean up my mess. I don't.

Mr Watson is curled up on the cardinal-red velvet cushions. Fast asleep. His legs start twitching. His lips puff out at every muffled half-bark.

Is he chasing? Or is he being chased? _H.

 

Remember Olav? H's winged friend I told you about some time ago. The snooty Scandinavian robin I had to share my garden with. My butcher block too.

He left. Disappeared into thin air. What else are birds for?

Not without leaving his legacy, though.

 
Railroad crossing with train near Palm Springs
 

H calls her Olivia. He thinks she's Olav's daughter. Beats me how he can tell the difference between a male and a female robin. The birds are no help; male or female, they come with the standard brake light down the front. Or so I'm told.

But she's quite inventive. More inventive than her pathetic flapping suggests.

 
 
Walking in Joshua Tree Natural Park
 
 

H now has two bags of bird feed attached to the branches in our garden. I still only have one bowl of food that I have to rattle for him to notice I'm hungry. I rattle it so vigorously that even his left ear, the one whose best years have long gone, would notice. Anyway, a ball of fat and nuts suspended in yellow mesh was making unfamiliar movements when I came down into the kitchen one morning. Going up and down like a hyperkinetic yo-yo.

 
Joshua Tree Natural Park
 

Olivia dropped from the tree in what looked like a kamikaze dive. Just when I thought I'd be rid of her forever—I'd be as flat as a doormat if I dived like that—she flapped up clumsily, grabbed the string in her beak, and shook it like a madwoman.

Like me rattling my bowl for food.

Pieces of fat and seed dropped to the ground. Followed by the red blur of Olivia's next dive. I lead by example. The crimson dilettante picked up in weeks what had taken me years to perfect.

I'm the canine version of David Attenborough. Equally telegenic, but with a shorter lifespan and still practicing the husky half-whisper. I love nature. Especially when it's contained by two-and-a-half-metre-high brick walls.

 
 
Joshua Tree Natural Park rock formation
 
Joshua Tree rocks
 

In June R and H took me to California. Los Angeles suited me perfectly. Being chauffeured past palm trees along the ocean. Cooed at by young American women, of whom I can only see the leggings. And their fluffy dogs, whose breeds inevitably end in -oodle.

Then came Joshua Tree.

What the hell were they thinking? That I'd be spending time in an oversized air fryer among hairy spiders and scorpions whose tails are as elegant as mine but deadly? That I'd stroll between cacti with barbed spines? Serve as an entree for a scruffy coyote whose main purpose in life should be chasing roadrunners or getting flattened under a rock?

 
Jaushua Tree Saloon collage
 
 
Joshua Tree saloon interior
 

The operating temperature of a Jack Russell is seventeen to twenty-four degrees centigrade. Anything lower is for huskies. Save the desert heat for chihuahuas. A Mexican hairless would do, too, but I'm not paying for the sunblock on its back. I have often wondered if it is up or down the canine evolutionary ladder. But I don't need sunscreen.

The park rangers got it right; this is not a place for dogs. H kept me nice and cool in the car in the parking lot, engine running, air conditioning full blast, while R wandered off to shoot some photos of trees I wouldn't even dare to lift my leg against.

Glad we made it back to Pioneertown and civilization. If that's what you call a bunch of wooden sheds in the middle of nowhere.

 
 
Pioneertown Red Dod Saloon at dusk
Kids playing in Pioneertown
 
Red Dog Saloon in Pioneertown
 

I could have a movie career here. When I was in Mérida, everyone pointed at me, all excited, yelling, "La Máscara, La Máscara." Pretty annoying, really, once I found out that Milo, the Jack Russell in the movie, wasn't half as good-looking as I am. I already have a head start. I stayed on a film set. Even slept there soundly. I could picture a gunfight down Main Street from the deck of the saloon. Blood seeping slowly into the sand. Horses tied to the hitching rail staring blankly as they always do. Lots of head. Little inside.

A pigeon landed in the dust in front of me, ending my reverie. "Crashed" is more like it. Kept on wriggling helplessly, unable to take off. H in savior mode. Picked it up, threw it in the air, and off it went again. I noticed its partner perched on the eave of the barn in front of me. Looking worried, if that's possible.

 
Pioneertown at dusk
 
 
Pioneertown details
 
Pioneertown details at dusk
Pioneertown at dusk
 
 
 
Pioneertown sunset
 
 
Morongo Valley
Midcentury Palm Springs
 

Back to my scene. John Wayne's spurs rattling at every step.

I saw the worried pigeon again as we were walking back to the hotel. It was staring at two crows picking feverishly at what looked like its partner. Or what was left of it. One of the crows flew off with an intestine dangling from its beak.

The pigeon took off in the opposite direction.

 
Midcentury Palm Springs details
 
 

I made it back home. To cooler climes and friendlier woods. To autumn days that make me wish I wasn't color-blind. There's a hunting party in the fields. Men in fluorescent jackets driving game towards the hunters in camouflage, their shiny SUVs away from the line of fire. The Châteauneuf-du-Pape is breathing in the hunting chalet.

In a barren tree that overhangs the brook, a pigeon's severed wing flutters in the breeze, spotlit by the afternoon sun.

There's not a bird in sight.

 
 
Parker Hotel Palm Springs
 
 

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Hans Pauwels & Images By Reinhilde Gielen

Reinhilde Gielen and Hans Pauwels explore the world in search of fascinating narratives behind concealed beauty. They create true stories about real people, real places, and real companies. Not just stories that stick, but stories that people lose themselves in because they convey timeless values.

As Aesthetic Nomads, Reinhilde and Hans work together as a creative duo for content and design. They collaborate closely with companies, organizations, and regions to create dynamic identities through voice, imagery, and storytelling. The brands they value and assist invariably endorse authenticity, tradition, and elegance.

Reinhilde is a fashion designer with lifelong experience as creative director for luxury fashion, food, beauty, and lifestyle brands. She is also an accomplished photographer, known for her captivating portrayals of everyday beauty. Reinhilde spends several months each year immersed in different cultures, soaking up their influences and capturing intriguing images of subdued richness and sophistication.

As a founder and CEO of multiple innovative companies in the food and technology sectors, Hans has traveled the world for business throughout his career. His newfound freedom allows him to join Reinhilde on her travels and pick up creative writing from where he left it at university. Along with well-versed business strategy papers, he writes vivid and anecdotal stories that blend travel, reflection, and exploration, always infused with humor and a dash of the absurd.

In their book, Aesthetic Nomads—A Chronicle of Beauty Unveiled, Reinhilde and Hans portray—in photographs and text—how unexpected interactions and contrasts reveal hidden beauty around the world.

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